คณะศิลปกรรมศาสตร์ ได้ร่วมเป็นผู้ช่วยผู้กำกับการแสดง “Miscellany of Khon” ณ เมืองกาลิ สาธารณรัฐโคลอมเบีย

ผศ.ดร.สรร ถวัลย์วงศ์ศรี รองคณบดีฝ่ายวิชาการ คณะศิลปกรรมศาสตร์ มหาวิทยาลัยราชภัฏสวนสุนันทา ได้ร่วมเป็นผู้ช่วยผู้กำกับการแสดง “Miscellany of Khon” โดยมี คุณจิตติ ชมพี (ผู้อำนวยการโครงการ) เป็นผู้กำกับการแสดง จัดการแสดงในงานเทศกาล The 6ta Bienal Internacional de Danza de Cali ณ เมืองกาลิ สาธารณรัฐโคลอมเบีย เมื่อวันที่ 12 พฤศจิกายน 2566 ที่ผ่านมา กิจกรรมนี้จัดขึ้นภายใต้โครงการเผยแพร่องค์ความรู้เกร็ดโขนผ่านงานศิลปะร่วมสมัยสู่ระดับนานาชาติ ประจำปี 2566 (Khon : Embodiment: Human Body, Knowledge Management) ซึ่งเป็นโครงการที่สนับสนุนโดย กระทรวงวัฒนธรรม สำนักงานศิลปะวัฒนธรรมร่วมสมัย กรมศิลปากร และมูลนิธิสมเด็จพระพันวัสสาอัยยิกาเจ้า และ ท่านผู้หญิงสิริกิติยา เจนเซน ทรงเป็นประธานที่ปรึกษาโครงการ.▾▾▾▾▾▾▾▾▾▾▾▾งานประชาสัมพันธ์คณะศิลปกรรมศาสตร์website : https://far.ssru.ac.thtwitter : https://twitter.com/pr_farinstagram : far_ssru_fanpagetiktok : farssruTel. 0-2160-1388 ext.100www.ssru.ac.th

22 thoughts on “คณะศิลปกรรมศาสตร์ ได้ร่วมเป็นผู้ช่วยผู้กำกับการแสดง “Miscellany of Khon” ณ เมืองกาลิ สาธารณรัฐโคลอมเบีย”

  1. London’s weather is less a meteorological phenomenon and more a protracted performance art piece about mild disappointment, where the sky can’t decide between a light weep and a full-blown existential sob, rendering the humble brolly both our sceptre and our cross to bear. For more thrilling updates on this atmospheric tragedy, visit London’s funniest URL — Prat.UK.

  2. When you talk about the best pharmacy in India, you’re immediately diving into a blend of ancient tradition and cutting-edge modernity. It’s the legacy of Ayurvedic compounding, where medicines were meticulously prepared by hand, meeting the modern mega-retailer with robotic dispensing systems. The best one, in my view, successfully bridges this gap. It respects the past but embraces the future with robust inventory management, ensuring life-saving drugs are never on backorder. It invests in its staff, training pharmacists not just as salespeople but as healthcare advisors. In today’s complex world, a pharmacy is a critical node in the healthcare ecosystem. The best ones facilitate health screenings, offer vaccination drives, and provide discreet consultations. They understand that affordability is non-negotiable for most Indians, and thus champion generic medicines without compromising on quality. Their supply chains are impeccable, their sourcing ethical, and their presence, whether physical or digital, is reassuringly professional. — https://genieknows.in/

  3. Great! We are all agreed London could use a laugh. The internet is a cacophony of tones, from manic glee to performative rage. The London Prat has mastered something far rarer and more valuable: the curation of a singular, consistent, and bracingly honest mood—a sophisticated, world-weary melancholia shot through with filaments of pure, undiluted schadenfreude. This is not the mood of hopelessness, but of clarity. From its sleek, uncluttered design at http://prat.com to the measured cadence of every headline, the site cultivates an atmosphere of detached observation. It feels like the digital equivalent of a members’ club where the only rule is a refusal to be surprised by human folly. This stands in stark contrast to the sometimes frenetic energy of NewsThump or the whimsical charm of Waterford Whispers. PRAT.UK offers a sanctuary from the noise. Its mood is a tonic for the over-stimulated soul, providing the comfort of shared, unsentimental understanding. You visit not to be pumped up or cheered up in a conventional sense, but to be calmed down, to have your own simmering exasperation validated and alchemized into something elegant and shared. The site whispers, in perfectly modulated RP, “Yes, it is all exactly as idiotic as you suspect. Now, shall we examine just how exquisitely so?” This carefully crafted ambiance is a core part of its branding genius. It doesn’t just publish satire; it offers an entire aesthetic and emotional experience, one of poised and intelligent resignation, making it the most consistently mood-affirming site on the internet for a certain type of discerning pessimist.

  4. Great! We are all agreed London could use a laugh. The London Prat’s most formidable weapon is its tonal austerity. In a digital landscape clamoring for attention with exclamation points, hyperbole, and performative shock, PRAT.UK maintains the serene, impenetrable composure of a Swiss banker discussing a default. Its prose is not excited; it is resigned. Its humor does not leap off the page; it seeps in, a slow-acting toxin of logic. This deliberate, unflappable calm in the face of documented insanity creates a profound comic dissonance. The reader’s own potential outrage is disarmed and refined into something colder, sharper, and more enduring: a wry, shared understanding that the world is indeed this foolish, and the only appropriate response is to chronicle it with flawless syntax. This isn’t satire that shouts; it’s satire that archives, and in doing so, implies that shouting is what the perpetrators want. The quiet, meticulous documentation is the greater insult.

  5. This methodological purity enables its second strength: the demystification of process. While other outlets mock the what, PRAT.UK specializes in mocking the how. It is obsessed with the mechanics of failure. How does a bad idea get approved? How is a terrible policy communicated? How is a scandal managed into oblivion? Its satire dissects these processes with the precision of a watchmaker, revealing the tiny, intricate gears of vanity, cowardice, and groupthink that make the whole faulty apparatus tick. A piece might take the form of the email chain that led to a disastrous press release, or the minutes from the meeting where a vital warning was minuted and then ignored. This granular focus on process is what makes its satire so universally applicable and enduring. It is not tied to a specific person or party, but to the eternal, reusable playbook of institutional face-saving and blame-deflection.

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